Lot 121
One of the only photographs of William Brooks that is around. William Robert Brooks (June 11, 1844 May 3, 1921) was a British-born American astronomer, mainly noted as being one of the most prolific discoverers of new comets of all time, second only to Jean-Louis Pons. He developed his interest in astronomy during a boyhood voyage to Australia, when he observed a navigator making measurements with a sextant. As a young man he worked in the Shepherd Iron Works in Buffalo, New York, gaining considerable mechanical and draughtsmanship skills: he went on to become a portrait photographer in Phelps before turning his attention to astronomy full-time. Brooks had a good knowledge of lens construction, and was able to design and make his own telescopes, taking a year to grind and polish the optics for his nine-inch reflector. After marrying Mary E. Smith in 1870, Brooks moved to Phelps where he discovered his first comet in 1881, using a telescope of his own construction. In 1886, he discovered 3 new comets. Brooks' success at comet discovery was noticed by businessman William Smith, who, wishing to attract Brooks to Geneva, New York, built a new observatory and a home for Brooks' family. Brooks went on to become Director of the Smith Observatory at Hobart College, Geneva, New York, where he lectured and undertook his astronomical research. His observations at the Smith Observatory produced 16 new comets. He specialized in the discovery of comets, including periodic comets 12P/Pons-Brooks and 16P/Brooks. He also discovered the bright naked-eye comet C/1911 O1 (Brooks), and was a pioneer of astrophotography. In his life, Brooks received medals from the Lick Observatory, the Astronomical Society of the Pacific, the International Jury at the St. Louis Exhibition, the Astronomical Society of Mexico, and the Lalande Medal of the French Academy of Sciences in 1899. Brooks was also appointed a Professor and Honorary Doctor of Science by Hobart College. The platinum / palladium process was invented in the first half of the 19th century but a reliable commercial process was not introduced until the 1880s. It was popular for practical reasons as platinum is very stable so prints do not deteriorate over time. It is a very permanent image, and was highly valued for this reason. The main attraction of platinotype is, however, aesthetic. The process produces wonderfully rich grey-tones and a matte finish due to the print being laid directly on paper without the need for an emulsion. Those characteristics are demonstrated in this wonderful photograph. Please ask specific questions on details, condition, and shipping prior to bidding, ALL ITEMS ARE SOLD AS IS, and the bidder will be responsible for payment. We box and ship what we can to keep costs low, and use USPS and UPS. Large items, extremely fragile, and high value items will be packed by UPS. Quotes available on request
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Dimensions:
- 3-5/16" x 5-15/16" Condition:
- Good - Very Good Restored Condition with Japanese Paper and Wheat Starch Paste applied verso lining
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