Lot 176


Signed in pencil lower right by artist. Gold Leaf wood frame with red mat behind glass. Born in New York City in 1918, he began drawing at the age of four. A scholarship to the Pratt Institute was awarded to him when he was fourteen years old. With Michelangelo as his idol, he spent seven years in life classes perfecting his drawing. From 1942 to 1945 he served with the Armed Forces. He headed a mural project and executed murals in the United States and Belgium. His first exhibition in woodcut was held at the New School for Social Research and his second at the Smithsonian Institution in 1949 and also exhibited at the Artists House in Jerusalem, the Library of Congress, and the National Academy of Design. Amen studied in Paris in 1950. Upon his return to the United States, he had one man shows in New York and Washington DC. In 1953, Amen traveled throughout Italy. This resulted in a series of eleven woodcuts, eight etchings and a number of oil paintings. One of these woodcuts, Piazza San Marco #4 and its four woodblocks constitute a permanent exhibit of block printing in color at the Smithsonian Institution. He is listed in Mantle Fielding's Dictionary of American Painters, Sculptors and Engravers and the Dictionary of Contemporary American Artists by Paul Cummings. He was elected member of Accademia Fiorentina Delle Arti Del Disegno, an organization to which Michelangelo belonged. Provenance: This collection was acquired from L 'E'spirit D'Art, Inc. between 1993-1996 from Boca Raton,FL and Miami, FL. We describe all items to the best of our ability as we are not experts on everything. Please ask specific questions on details, condition, and shipping prior to bidding, ALL ITEMS ARE SOLD AS IS, and bidder will be responsible for payment. We box and ship what we can to keep costs low, and use USPS and UPS. Large items, extremely fragile, and high value items will be packed by UPS. Quotes available on request
- Dimensions: 13" x 18.5" and 19.5" x 26" Framed
- Condition: Excellent Condition with no visible imperfection to the artwork.
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